Reprint: Postmodernism

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Brian McHale, Christine Brook-Rose, Christopher Priest, Don DeLillo, E.L. Doctorow, Frederic Jameson, Gabriel Garcia Marquez, Geoffrey Chaucer, Henry James, Iain Banks, James Joyce, John Fowles, Katherine Dunn, Kathy Acker, Kim Newman, Kurt Vonnegut, Laurence Sterne, Miguel de Cervantes, Paul Auster, Richard Jefferies, Robert Coover, Samuel R. Delany, Steve Erickson, Thomas Pynchon, Virginia Woolf, William Gibson, William S. Burroughs, William Vollman

Another of my Cognitive Mapping columns, this one appeared in Vector 219, September-October 2001. As with the column on Modernism, my views are likely to have changed somewhat in the interim.

Reprint: John Clute

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Arthur C Clarke, Dave Garnett, David Langford, Edward James, Farah Mendlesohn, Garry Kilworth, Gene Wolfe, George Hay, Iain Banks, John Clute, John Grant, John Radford, Judith Clute, Ken MacLeod, Lisa Tuttle, m john harrison, Mary Gentle, Maurice Goldsmith, Mike Moir, Neil Gaiman, Northrop Frye, Pamela Zoline, Pat Cadigan, Peter Nicholls, Scott Bradfield, Thomas M. Disch, William Gibson

This Appreciation of John Clute was published in the Loncon 3 Programme Book, where he was, of course, Guest of Honour:

Reprint: Manifest Destiny

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Bruce Sterling, David Brin, E.E. 'Doc' Smith, Hugo Gernsback, Independence Day, John Campbell, John O'Sullivan, Octavia Butler, Robert Heinlein, Star Trek, Thomas M. Disch, William Gibson

This column in my series Cognitive Mapping first appeared in Vector 218 (July-August 2001).

Reprint: The Labyrinth Key

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Arthur C Clarke, Cordwainer Smith, Giordano Bruno, Greg Egan, Howard Hendrix, John Le Carre, Matteo Ricci, Michael Swanwick, William Gibson

I haven’t added a reprint to this blog for a little while, so here is a review of The Labyrinth Key by Howard V. Hendrix which first appeared in The New York Review of Science Fiction 195, November 2004.

Borderlands

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Andrew Crumey, Ann Leckie, Brian McHale, Christopher Priest, David Hebblethwaite, Hugh Howie, Hugo Gernsback, Ian Sales, J.M. Sidorova, James Joyce, John Scalzi, Karen Joy Fowler, Kate Atkinson, Keith Ridgway, Laurence Sterne, Marcel Theroux, nina allan, Paul McAuley, Ruth Ozeki, Samuel R. Delany, Thomas Pynchon, Tom McCarthy, Tom Robbins, Tony Ballantyne, Ursula K. Le Guin, William Gibson

It never goes away, does it? It’s two years now since I put into words (or, perhaps more precisely, into a word), some of my enduring dissatisfactions with science fiction. The word was ‘exhaustion’. And the debate I generated then still rumbles on. It takes other forms, of course, but at heart Nina Allan, in this excellent blog post, in turn referencing this excellent blog post by David Hebblethwaite, is making much the same point: science fiction is losing interest in the new.

Reprint: Language

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Alfred Bester, Arthur C Clarke, Christopher Evans, Gardner Dozois, Gary Westfahl, Gene Wolfe, George Orwell, H.G. Wells, Harold Bloom, Russell Hoban, Samuel R. Delany, William Gibson, William Shakespeare

Time for another of my Cognitive Mapping columns. This one was first published in Vector 187, February 1996.

Reprint: Death

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Alasdair Gray, Bob Shaw, Bram Stoker, Brian Stableford, Colin Greenland, Dante, Greg Egan, Iain Banks, Ian Watson, Jeff Noon, John Bunyan, Lucius Shepard, Ludwig Wittgenstein, M.R. James, Michael Swanwick, Philip Jose Farmer, Rudy Rucker, Russell Hoban, Sheridan Le Fanu, T.S. Eliot, William Gibson

More and more, as I read science fiction, I have become aware that death is the most consistent theme. You could almost say that science fiction is a literature about death. I wrote this Cognitive Mapping piece back in 1997 (it appeared in Vector 195, September-October 1997), I could write a similar column now just using works published since that date. In fact I could write it several times over, so pervasive is the theme. So this is just one aspect of a very much bigger conversation.

Reprint: Conformity

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Bruce Sterling, Dean Ing, E.M. Forster, Elizabeth Hand, George Orwell, H.G. Wells, Harlan Ellison, Ian Watson, Isaac Asimov, J.G. Ballard, John Brunner, Margaret Atwood, Michael Marshall Smith, R.A. Lafferty, Robert Heinlein, Robert Silverberg, Thomas Jefferson, Ursula K. Le Guin, William Gibson, Woody Allen

Here is another of my Cognitive Mapping columns, this one first appeared in Vector 205 (May-June 1999).

Making Up America: Russell Banks’s Cloudsplitter

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Bruce Olds, Charles S. Peirce, D.H. Lawrence, Don DeLillo, E.L. Doctorow, E.M. Forster, Gary Wills, Grover Cleveland, Harold Evans, Henry Miller, Jack Kerouac, John Brown, Oswald Garrison Villard, Owen Wister, Robert Coover, Robert Heinlein, Russell Banks, Steve Erickson, Steven Millhouser, William Gibson, William James

This was one of those I wrote for no reason other than that I loved Russell Banks’s novel, Cloudsplitter (1998) so much. I think I did try sending it out once, though without any great expectation, and I briefly considered including it in my first collection of essays, but in truth the only place this ever appeared previously was in an apa. It’s an essay that grows out of my interest in the American Civil War, so there’s no science fiction here, but there is philosophy, which suggests a sort of continuity.

Reprint: Alternate History

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A.J.P. Taylor, Bruce Sterling, G.K. Chesterton, G.M. Trevelyan, Harold Nicolson, Harry Harrison, Harry Turtledove, Hilaire Belloc, Hilary Bailey, J.C. Squire, Keith Roberts, Kingsley Amis, L. Sprague De Camp, Len Deighton, Lisa Tuttle, MacKinlay Kantor, Martin Cruz Smith, Philip K. Dick, Richard Dreyfuss, Robert Harris, Stephen Baxter, Terry Bisson, Vladimir Nabokov, Ward Moore, William Gibson, William L. Shirer, Winston Churchill

Someone asked for more of my Cognitive Mapping columns, so here’s another one. In fact, this is the first one I wrote. It appeared in Vector 186 (December 1995). To be honest, I’ve never been entirely comfortable with the term ‘alternate history’, one cannot help feeling that grammatically it ought to be ‘alternative’, but usage means we are stuck with it. As a sub-genre, however, it is one of my favourites.