2017 in Review

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Anthony Gottlieb, Arthur C Clarke, Becky Chambers, Benjamin Black, Bruce Sterling, C.J. Sansom, China Mieville, Christopher Priest, Colin Greenland, Dave Hutchinson, Edmund Crispin, Emma Chambers, Emma Newman, Gerry Canavan, Gwyneth Jones, Helen MacInnes, Iain Banks, Iain R. MacLeod, Joanna Kavenna, John Banville, John Crowley, John Kessel, John Le Carre, Judith A. Barter, Kim Stanley Robinson, Laurent Binet, Laurie Penny, Lavie Tidhar, Lily Brooks-Dalton, m john harrison, Margery Allingham, Mark Fisher, Matt Ruff, Michael Chabon, nina allan, Octavia Butler, Patrick Leigh Fermor, Paul Auster, Paul Nash, Rick Wilber, Rob Latham, Steve Erickson, Stuart Jeffries, Tade Thompson, Tricia Sullivan, Ursula K. Le Guin, Yoon Ha Lee

It’s that time of year again, when I dust off this oft-forgotten blog and post a list of my reading through the year, along with other odd comments.

2017 has been, in some respects, a very good year. My first full-length book not composed of previously published material, appeared in May. Iain M. Banks appeared in the series Modern Masters of Science Fiction from Illinois University Press, and has received some generally positive reviews, much to my relief.

Also this year I signed a contract with Gylphi to write a book about Christopher Priest, which is likely to take most if not all of the next year. In addition, I’ve put in a proposal for another volume in the Modern Masters of Science Fiction; the initial response has been quite good so I’m hoping I’ll have more to report in the new year. So, in work terms, it looks like the next couple of years are pretty much taken care of.

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Reprint: Transhumanity

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Arthur C Clarke, Bruce Sterling, Charles Darwin, Christopher Evans, Frederik Pohl, Greg Egan, H.G. Wells, Iain Banks, Isaac Asimov, Jack Finney, James Tiptree Jr, John W. Campbell, Martin Caidin, Olaf Stapledon, Robert Silverberg, S Fowler Wright, T.H. Huxley

We’re getting close to the end of the series of Cognitive Mapping columns I wrote for Vector. This one first appeared in Vector 194, July-August 1997.

Reprint: Space

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Arthur C Clarke, Cyrano de Bergerac, Douglas Adams, E.E. 'Doc' Smith, Fred Hoyle, H.G. Wells, Hal Clement, Hugo Gernsback, Iain Banks, James Blish, James Tiptree Jr, Johannes Kepler, John W. Campbell, Jules Verne, Larry Niven, Poul Anderson

This is another of my Cognitive Mapping columns. In this instance it first appeared in Vector 190 (November-December 1996).

Reprint: Helen O’Loy

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Arthur C Clarke, C.L. Moore, Daniel Keyes, Henry Kuttner, Isaac Asimov, Judith Merril, Lester Del Rey, Robert Silverberg, Stanley Weinbaum, Theodore Sturgeon

And this is the companion piece to yesterday’s article. Lester Del Rey’s “Helen O’Loy” is, I am sure, the story that inspired C.L. Moore’s far superior “No Woman Born”. This column appeared in Vector 279, Spring 2015.

Reprint: John Clute

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Arthur C Clarke, Dave Garnett, David Langford, Edward James, Farah Mendlesohn, Garry Kilworth, Gene Wolfe, George Hay, Iain Banks, John Clute, John Grant, John Radford, Judith Clute, Ken MacLeod, Lisa Tuttle, m john harrison, Mary Gentle, Maurice Goldsmith, Mike Moir, Neil Gaiman, Northrop Frye, Pamela Zoline, Pat Cadigan, Peter Nicholls, Scott Bradfield, Thomas M. Disch, William Gibson

This Appreciation of John Clute was published in the Loncon 3 Programme Book, where he was, of course, Guest of Honour:

Reprint: Mars

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Arthur C Clarke, Ben Bova, C.S. Lewis, Edgar Rice Burroughs, Elisabeth Malartre, George Griffiths, Giovanni Schiaparelli, Greg Bear, Gregory Benford, H.G. Wells, Ian McDonald, Ian Watson, John W. Campbell, Kim Stanley Robinson, Paul McAuley, Percival Lowell, Ray Bradbury, Raymond Z. Gallun, Roger Zelazny, Stanley G. Weinbaum, Terry Bisson

Another Cognitive Mapping column. This one, which discusses one of science fiction’s great objects of desire, appeared in Vector 214, November-December 2000:

Reprint: The Labyrinth Key

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Arthur C Clarke, Cordwainer Smith, Giordano Bruno, Greg Egan, Howard Hendrix, John Le Carre, Matteo Ricci, Michael Swanwick, William Gibson

I haven’t added a reprint to this blog for a little while, so here is a review of The Labyrinth Key by Howard V. Hendrix which first appeared in The New York Review of Science Fiction 195, November 2004.

Reprint: Language

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Alfred Bester, Arthur C Clarke, Christopher Evans, Gardner Dozois, Gary Westfahl, Gene Wolfe, George Orwell, H.G. Wells, Harold Bloom, Russell Hoban, Samuel R. Delany, William Gibson, William Shakespeare

Time for another of my Cognitive Mapping columns. This one was first published in Vector 187, February 1996.

Reprint: God

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Andrew M. Greely, Anthony Boucher, Arthur C Clarke, Dan Simmons, David Zindell, Donald Barthelme, Francis Godwin, Garry Kilworth, Harlan Ellison, Harry Harrison, James Blish, James Morrow, m john harrison, Mary Doria Russell, Michael Bishop, Michael Moorcock, Olaf Stapledon, Paul McAuley, Philip K. Dick, Poul Anderson, Robert Silverberg, Thomas More, Tommaso Campanella, Walter M. Miller, William Tenn

And so, as we come to the end of another religious holiday, it is time to look at one of the most persistent themes of science fiction. It is a subject I find myself coming back to on a regular basis. I feel that God (as opposed to religion) has no part to play in science fiction, that the introduction of a figure who can casually change the whole nature of reality is lazy in science fictional terms. This particular iteration of the point came in one of my Cognitive Mapping columns that was first published in Vector 217 (May-June 2001).

Reprint: Exogamy

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Alex Raymond, Arthur C Clarke, Claude Veillot, E.E. 'Doc' Smith, Edgar Rice Burroughs, Edmond Hamilton, Gardner Dozois, George T. Chesney, Gregory Benford, Gwyneth Jones, H. Beam Piper, H.G. Wells, Harry Turtledove, Ian McDonald, Jack Finney, Jack Williamson, John Clute, John Collier, Octavia Butler, Peter Hoeg, Philip Francis Nowlan, Roger Zelazny, Thomas M. Disch

This column from my Cognitive Mapping series, which first appeared in Vector 202, November-December 1998, might well be seen as a companion to the column on Aliens, looking at another aspect of our enduring fascination with the other.