Time of Arrival

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Amy Adams, Denis Villeneuve, Jeremy Renner, Ted Chiang, Tzi Ma

On Saturday evening we finally got to see Arrival (insert usual and deserved superlatives here). On Saturday afternoon, I came across a review of the film; I haven’t sought it out again, I haven’t linked to it, because something so wrongheaded doesn’t deserve the link. At one point the reviewer said, in so many words, the subplot about the daughter is unnecessary but at least it’s not sentimental.

Well, he’s right about it not being sentimental. Otherwise …

Reprint: Starlight 2

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Angelica Gorodischer, Carter Scholz, David Langford, Ellen Kushner, Esther M. Friesner, Geoffrey Landis, Jonathan Lethem, M. Shayne Bell, Martha Soukup, Patrick Nielsen Hayden, Raphael Carter, Robert Charles Wilson, Susanna Clarke, Ted Chiang, Ursula K. Le Guin

I thought at the time, and still think, that Patrick Nielsen Hayden’s Starlight  was one of those anthology series, like Universe or New Dimensions, that the genre truly needs. Unfortunately, it lasted only three issues, which is our loss. This was one of the first reviews I did for The New York Review of Science Fiction. It appeared in issue 126, February 1999.

Hard SF Redux

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Alfred Bester, Clifford Simak, E.E. 'Doc' Smith, F. Orlin Tremaine, Frederik Pohl, Ian Sales, Isaac Asimov, John W. Campbell, L. Ron Hubbard, Philip K. Dick, Robert Heinlein, Ted Chiang, Theodore Sturgeon, Thomas M. Disch, Tom Godwin, Ursula K. Le Guin

In 1937, John Wood Campbell, Jr, who had held a variety of dead-end jobs up to that point, was hired as an assistant editor at Street & Smith working on Astounding. Within the year, the then editor of Astounding, F. Orlin Tremaine, moved up in the Street & Smith hierarchy and Campbell, with next to no editorial experience, found himself running the magazine, which he continued to do for the next several decades.

Campbell was a reasonably proficient writer of ‘superscience’ stories, the sort of over-the-top extravaganzas that had come to dominate pulp science fiction in the 20s and 30s; but he achieved more under the pseudonym ‘Don A. Stuart’ with stories that were rather more restrained in their invention and melancholy in their affect. When he took on the editorial role at Astounding, he stopped writing; that creativity was instead channelled into the ideas he fed to his favoured stable of writers. One of the peculiarities of Campbell’s editorship of Astounding, at least during his first decade or so in that role (you don’t hear these stories attached to the magazine by the time he was changing its name to Analog), was the extent to which he fed ideas to his authors. I am sure any editor worth their salt is likely to suggest an idea to an author now and then, but the mythology attached to Campbell would have us believe that most of the great stories that appeared in Astounding during its heyday came directly from Campbell himself. And there is enough commonality in these stories, enough sense that they are the children of Don A. Stuart, to lend some credence to the myth.

Reprint: Nebula Awards Showcase 2004

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A.E. Van Vogt, Adam-Troy Castro, Alexei Panshin, Allen Steele, Anna Kavan, Anthony Boucher, Arthur Sellings, Bob Shaw, Brian Aldiss, Carol Emshwiller, Charles Stross, Damon Knight, Darko Suvin, Frederik Pohl, Groff Conklin, Harlan Ellison, Harry Harrison, Jack McDevitt, Jerry Oltion, John Wyndham, Katherine MacLean, Lesley What, Megan Lindholm, Mervyn Peake, Michael Swanwick, Molly Gloss, Neil Gaiman, Peter Jackson, Poul Anderson, Ray Bradbury, Richard Chwedyk, Sharon Lee, Ted Chiang, Ursula K. Le Guin, Vonda McIntyre, Willis E. McNelly, Willy Ley

I haven’t actually included any anthologies in my reprints so far, even though I have reviewed an awful lot of them. So I thought I should include one today. This review of Nebula Awards Showcase 2004 edited by Vonda N. McIntyre was, I think, written for The New York Review of Science Fiction, but I can’t find a record of it being published. So this may be its first appearance.